Do you ever think you like drawing and the doing but don’t really have all that much to say in words? Well, that’s kind of where I am at the moment. And hence, a pause from blogging.
Over the two years or so of blogging, I have very much enjoyed your posts and the many beautiful ideas visually expressed and the little blog-chats. Thank you.
For the time being, I am posting at https://www.instagram.com/drawingconnections/
Getting ready to go on stage…
I really loved seeing all the preparations for the many short traditional Chinese performances. The day started off cloudy and with some rain. Fortunately the sun came out and everything went ahead. So much to look at – the rich colours, varied costumes and different types of music. Not a monkey in sight though!
I guess we should wish one another much health, happiness and wealth!
I guess we all go through phases of unmotivation or uninspiration. Well. Ok, I’ll speak for myself. Sometimes everything looks a bit grey or ‘done that before’. A tiresome phase.
But that’s when a bit of colouring-in helps keep the habit up. At least the hand is moving, the eyes are looking, searching.
Not sure when I did this ink drawing, but it now has colour. This very hardy plant is still out there on my balcony – taller, more shoots, very healthy. Just keeps growing. Don’t think it questions anything. It just is.
This is where this piece is at. More items to draw. More to cut. Where is it headed? Not sure. The process for making something is like this sometimes.
Sometimes, it leads nowhere.
Sometimes it goes somewhere surprisingly resolved. Not as great art or anything like that, but resolved and the feeling of it being an interesting little trip.
I guess for now, this is a bit too early to know where it is headed. So, it’s a process in progress. Keep going, I guess.
Do you know Paul Klee’s ‘Magic fish’? I came across it only recently and loved how…well…magical it looked and with mysterious wonder. That piece inspired this background. Not quite sure that it works thoug. It does and it doesn’t. It looks a bit grungy, unnecessarily so. And trying to bring all the elements together was a bit tricky. But I guess learning to solve visual problems is part of the fun.
While this piece was not inspired by Johannes Vermeer, his works did cross my mind as I struggled with what to do with the background. His interiors are wonderful for the way they are integrated with any people. They just belong there. Not plonked there. There is a story that can be created. Light streams from his windows.
Here, Chloe is talking to a bird – one I bought from an art gallery bookshelf – and wanting to make sure it was comfortable. It had fallen off its perch and had been hanging upside down for some time, gathering dust.
Catching children engrossed in an imaginary world is a real joy.
I’m still enjoying using this lolly coloured watercolour set. Not sure what to say about this piece except that I wanted to work out how to break up a background. Not sure about you, but I often get stumped with the background.
Often I leave it white; other times I make a mess.
This background is a’collage’ of aspects of my loungeroom. And yes, there is quite a bit of yellow.
Have you ever visited Murwillumbah? No? It’s a small town in the far north of New South Wales – gorgeously lush and with the Tweed River flowing through it.
When you stay with friends and they are busy in the morning doing this and that, it is a great time to sit and admire and remember the view with a sketch. This is from their back porch.
This is what I wanted to remember:
– The size of the magnolias remind me of the warmth and generosity of heart I felt through the conversations with various people I met over the weekend.
– The wire gate, fence, timber parts gathered from here and there reused creatively to make spaces for guinea pigs and chickens.
– And out there, in the wider landscape there are cane fields and mountain backdrops.
Thank you Leah, Neroli, Ena, Reuben and all your delightful friends.
This cheongsam came to my mother from her mother-in-law, my paternal grandmother. I love the tree-like motifs, gourd and flower motifs – kind of like a Chinese garden. Makes sense to me.
One of the motifs, a gourd, is an auspicous motif to mean fertility and prosperity. I am being very shorthand with that description but you will find a much more eloquent and elaborate explanation at Gourds in ancient China. I am guessing that one of the flower motifs includes the peony, as prosperity and wealth would be a must in Chinese culture.
This kind of embedded meaning in fabric can be an effective way of handing down bits of a culture from one generation to another or one culture to another.